Four Tet sees dance music under the scope of post-rock and jazz, and captures a muted but fluorescent style of electronica that is perfect for introspection.

The sheer oneness of Iceland has made it a very fertile land for creatives, and few individual pieces of work have proven this more successfully than Sigur Rós’ Ágætis byrjun.

Slint’s second and final album just so happens to be a defining touchstone for any post-rock, math-rock and post-hardcore band that follows them.