The distinguished songwriter and cellist speaks on Silver Mt. Zion, life as a self-ruling artist and her new solo venture.

Aphex Twin has become a by-word for ‘impenetrably weird’ over the course of a fascinating career. But underneath the surface, he has also made some of the most emotional and humane material under the ‘dance music’ umbrella.

KEYMAG takes a look into the technique of plunderphonics and two of its greatest accompishments, from DJ Shadow's Endtroducing to the Avalanches' Since I Left You.

Ahead of his new album, jazz guitarist Ben Eunson speaks on his experiences with the likes of Questlove, and his earliest musical memories.

This piece analyses how Daft Punk smuggled ideas from three seemingly polar-opposite genres into dance music to become pop culture icons.

Off the back of the release of his debut EP, “These Days”, hip-hop artist Diminutive Arthur talks to KEYMAG about how this work came together.

A documented saga involving a young but ominous figure lurking in the shadows growing up to be an accomplished songwriter.

Fearless and driven, sitting down with session drummer and creative Dan Wright was like unboxing a mind spilling over with thoughts and ideas.

KEYMAG sits down with the old-soul voice of Lewis Ross-Robson, an artist who, in a few short years, has already received co-signs from Loyle Carner to BBC Introducing.

A brief insight into a pick of the greatest musical collectives to ever be devised.

A meeting with the man who’s worked with Ghetts, Denzel Himself and way more to come.

Dangermouse’s collage-like masterpiece spawned a hugely-successful career, as well as a fascinating story of the industry outlawing of a sample fanatic.